I have been a fan of the work of Edgar Wright for a long time. Spaced is one of my favourite TV shows and my wife and I revisit it often. I love the ‘Cornetto trilogy’, that is Shaun of the Dead, Hot Fuzz and The World’s End, and I thought that Shaun of the Dead was an absolute classic when I saw it in the cinema. Twice. All three are immensely funny and rewatchable and, although my initial impression of ‘Scott Pilgrim Vs. the World’ wasn’t all that good, on rewatching I have come to love it and now consider it a favourite. All of these movies have thematic and stylistic similarities including Wright’s fondness for fast-cut editing and the choice of an excellent sound track. Which brings us nicely to his latest, ‘Baby Driver’, a movie that is literally about a guy called ‘Baby’ who drives a getaway car. So, onto the review!
I think it is obvious upon watching ‘Baby Driver’ that it is entirely an Edgar Wright movie. Every frame of the movie has his stamp on it, every little stylistic choice seems his from the soundtrack which keeps the movie hopping along to each choice of camera angle or direction that the movie take. All of the actors involved seem to be having tremendous fun from Ansel Elgort’s ‘Baby’ to his love interest ‘Debora’ played by Lily James. Jamie Foxx does crazy very well with ‘Bats’ and Kevin Spacey brings a nice turn as Baby’s boss ‘Doc’. John Hamm also enjoys playing ‘Buddy’ the husband to Eliza Gonzalez’s ‘Darling’. And yes these are clearly code names to maintain distance from each other. At times the dialogue of the movie verges on the cheesy, which also seems intentional, playing up the kind of movies to which this film plays homage.
One thing that took both my wife and I a little by surprise was the tonal shift from the first to the second half of the movie. The first seems like a musical, albeit one involving bank robberies and car chases, and is very fun and entertaining with matters playing out according to the beat, Baby meets his love interest and a couple of heists go well with Baby’s spectacular driving keeping things smooth. In the second the seriousness of things is stepped up, with several bad choices leading to a dash to the end and the inevitable confrontations that come. And of course a number of the cast meet an ignoble fate, as you would expect from an Edgar Wright movie. The ending was also interesting, not going where I expected it to and veering away many of the cliché’s that could’ve been settled on.
Baby Driver is Edgar Wright’s take on a Fast and Furious movie where the action is fantastic, the cars are driven insanely well yet unlike those tired movies this one is awesome. It reminded me of ‘Heat’, very high praise indeed, as well as ‘Reservoir Dogs’ with the soundtrack being so integral to the action. It is well worth seeing in the cinema on a large screen and I am thoroughly looking forward to revisiting it once it is out on DVD as I think it will reward multiple viewings. I shall also be eagerly awaiting the director’s next release, as ever. I can’t wait!
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